Clik here to view.
Photography Regarding Nature: An Interview with Chrystel Lebas
Above image: Chrystel Lebas, Re-visiting Colonisation of boulder by Mosses & Oxalis acetosella.Plate n°1254, Arrochar, May 2012. 56°13.041’ N 4°44.146’ W Chrystel Lebas (b.1966, France) uses...
View ArticleClik here to view.
Get Out There: Preparing for a Career in the Photography Industry
Made with participants in the Get Out There: Preparing for a Career in the Photography Industry programme, this short video offers advice from young people for a career in photography. Get Out There!...
View ArticleClik here to view.
SUPER. NATURAL.
Image: Behind the Scenes Image from Cathedral of the Pines (detail) © Crewdson Studio. Courtesy Gagosian Gallery. In this short essay, Clare Grafik considers her first encounter with Gregory Crewdson’s...
View ArticleClik here to view.
When we have each other, we have everything: Fotopub Festival 2017
Novo mesto, a small Slovenian town with a population of under 24,000, seems an unlikely location for a photography festival. But unlike other festivals, Fotopub’s focus is not on buyers, or even...
View ArticleClik here to view.
Conspicuous Invisibility: An Interview with Tom Butler
Tom Butler (b.1979, London) collects memories, thresholds and hiding places and attempts to re-manufacture them in visual form. In advance of his solo exhibition in our Print Sales Gallery, Alexandra...
View ArticleClik here to view.
Eye Candy: An Introduction to the Story of Food in Photography
In accompaniment to our exhibition Food For Being Looked At, currently on view on our Media Wall, and to celebrate the publishing of Feast For the Eyes (Aperture, 2017), the book’s author Susan Bright...
View ArticleA True Thing – Wim Wenders on the Polaroid
Our new exhibition, Instant Stories. Wim Wenders’ Polaroids opens this Friday and in the following short essay the filmmaker recalls his personal history with the polaroid photograph, regarding them as...
View Article4 Saints in 3 Acts – A Decidedly New Opera
Our new exhibition, 4 Saints in 3 Acts – A Snapshot of the American Avant-Garde opens this Friday, and in this short essay, Anna Dannemann considers the impact the production had on American culture...
View ArticleThe Happy Infamy of Virgil Thomson
Alongside our current exhibition 4 Saints in 3 Acts, Alex Ross considers the stylistic tics of composer and critic Virgil Thomson, who wrote the score for the 1934 opera of the same name. Further...
View ArticleSaints and Sinners: Revisiting Four Saints in Three Acts
Image: George Platt Lynes, Dancers, 1934 4 Saints in 3 Acts: A Snapshot of the American Avant-Garde, presented at The Photographers’ Gallery, is the first exhibition worldwide to focus on the...
View Article
